Back
HomePaper 5 Vol. 2 No. 2

The forms of artistic creativity

July 2024, Vol. 2, No. 2, Issue 

Author(s)

Dr. Cristian Ungureanu (Faculty of Visual Arts and Design, George Enescu National University of Arts, Cuza Vodă Street, nr. 29, Iași, România)

Abstract

Our study aims to emphasize the enduring presence of laws and mechanisms that facilitate the expression of human creativity. These fundamental aspects remain consistent across various cultural eras that humanity has experienced. We propose an exploration centered around key historical milestones, aimed at identifying archetypal motives imbued with distinct symbolic meanings. These motives compel individuals to explore Reality, delving into its multifaceted layers of manifestation and the indescribable pathways through which energy and information transform and flow. Notably, the realm of visual arts falls within the realm of creative disciplines, wielding significant influence over both the artist’s consciousness and the audience’s perception. Much like any form of poetic engagement with Reality, visual art possesses an inherent scientific nature, particularly evident when it encapsulates the defining essence of each age in which it originates.

Keywords

Art, Science, Spirituality, Creativity, Future, Humanity

DOI :

Copyright & Licence

Authors publishing in JAARD retain copyright in their work and grant the journal the right of first publication. Published articles are made available under the Creative Commons licence specified by the journal. Current licence: Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0).

Pages : 80-89

Citation

Ungureanu, C. (2024). The forms of artistic creativity. International Journal of Arts Architecture & Design, 2(2), 80-89. doi.org/10.62030/2024Julypaper5 

References

Csikszentmihalyi, M. (1996), Creativity. Flow and psychology of discovery and invention, HarperCollins Publishers, New York, page 95
Elder, P. T. (2001), Naturalis historia: Encyclopedia of knowledge from Antiquity, Polirom Publishing House, Iasi, Romania, page 128
Harlan, V., Rappmann, R., Schata, P. (2002), Social plastic. Studies about Joseph Beuys, IDEA Design & Print Publishing House, Cluj, page 22
Nicolescu, B. (2007), Transdisciplinarity. Manifesto, Junimea Publishing House, Iasi, Romania
Salzmann, J. D. (2016), The reality of being. Gurdjieff’s Fourth Way, Herald Publishing House, Bucharest, page 20
Ungureanu, C. (2015), Geometric composition for visual arts, Artes Publishing House, Iasi, Romania,
Von Goethe, J.W. (1853), Goethe’s Opinions on the World, Mankind, Literature, Science, and Art, John
W. Parker and Son Publishers, London, p.109