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International Journal of Arts Architecture & Design

HomePaper 4 Vol. 3 No. 2

Visual Dissonance and Dynamic Harmony: A Study of Asymmetrical Balance

July 2025, Vol. 3, No. 2, Issue 

Author(s)

Dr. Anindita Roy, Riya Kapoor

Abstract

This paper explores how asymmetry disrupts conventional balance through visual dissonance, introducing tension and contrast, yet ultimately achieves dynamic harmony by guiding the eye through intentional focal points and spatial distribution. Asymmetric balance, a fundamental principle in art and design, challenges traditional notions of symmetry by creating visual harmony through the strategic distribution of visual weight. Unlike symmetrical balance, which relies on mirrored elements, asymmetry achieves equilibrium through contrast, scale, colour, and spatial relationships. This dynamic approach fosters movement, tension, and engagement, making compositions more visually compelling.

This study explores the role of asymmetric balance across various design disciplines, including fine arts, architecture, fashion, interior design, and graphic design. Key areas of exploration include visual weight perception, the psychological impact of imbalance, and the aesthetic principles that guide asymmetrical compositions. The paper also examines historical and contemporary examples where asymmetry has been effectively employed to enhance artistic expression and user experience. The research combines a qualitative review of design theories, case studies of notable works, and an analysis of visual perception studies. By synthesizing insights from art history, cognitive psychology, and design practice, this study aims to highlight the enduring relevance and evolving applications of asymmetric balance in creative disciplines. Understanding these principles can help designers harness asymmetry to evoke emotion, guide attention, and create dynamic, engaging compositions.

DOI :

Pages : 45-61

Citation

Roy, A., & Kapoor, R. (2025). Visual dissonance and dynamic harmony: A study of asymmetrical balance. International Journal of Arts Architecture & Design, 3(2), 45–61. doi.org/10.62030/2025Julypaper4