I am Ravleen Kaur currently pursueing Bdes. in Textile Design in World University
of Design , SONIPAT , HARYANA . I am a textile design student who learns best through actually doing things and
working with my hands. I enjoy exploring different techniques and understanding
fabrics through practice rather than just theory. My work usually focuses on surface
design, detailing, and creating something that feels visually balanced and meaningful. I try to adapt my designs to feel more Indian and realistic when required. I like
keeping my designs structured while still adding a storytelling element to them. I pay a lot of attention to finishing and techniques like embroidery, especially Kantha, and I try to solve problems that come up during the process. I have also worked on
fabric prototypes and understand basic size grading and construction, which helps me
see design from both a creative and practical point of view. I am currently gaining experience in a design studio environment, where I am learning
how the industry works, from concept to final production. I am still growing as a
designer, but I focus on improving my skills, making my work more refined, and
developing my own style.
Graduation Project
Project Title - Interior Lifestyle Tokyo Project Sponsor - PREETY SINGH DESIGNS
This project is based on Japanese minimalism, focusing on simplicity, symmetry, and
cost-effectiveness while keeping the wabi-sabi philosophy in mind, which appreciates
imperfection and subtle beauty. The aim is to create clean, balanced designs with
depth achieved through minimal interventions. The project explores how Indian craftsmanship can be adapted to create a modern
textile language with a European aesthetic touch. The concept of weaving is
expressed through embroidery, where structured elements like grids and stripes mimic
warp and weft. Textured fabrics such as handwoven cotton, rib, and waffle surfaces
enhance the tactile quality. Kantha-style embroidery is a key feature across the designs, used in a minimal, repetitive manner to build texture rather than heavy decoration. Overall, the project
reflects a fusion of Japanese restraint, Indian craft, and European warmth in a
contemporary form.